Here are the best sites I’ve found which have anything to do with the Genevan Psalter. Of course, most of these would be found by any reliable search engine. Genevan Psalter – Psalms / Psalmen. Ernst Stolz Music; videos; , views; Last updated on May 14, Complete Psalm Project Genevan Psalter. The Genevan Psalter was the product of a collaborative effort among several people, most notably Louis Bourgeois, Claude Goudimel, Théodore de Bèze and .

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And of course, many other Christian traditions sing metrical settings of the psalms. The approach of Vatican II-to retain the exact words of Scripture while giving the congregation short refrains-does amount to a system of singing the psalms in distinction from hymns. Benedict, July 11,at the opening festival service of the conference of the Hymn Society in the United States and Canada, meeting in the beautiful and resonant psaltfr of the Abbey Church at St.

Like Calvin, they released groups in installments as they completed them. A colleague at Calvin Theological Seminary who spent some time in Indonesia told me about participating in an ordination service of some elders and deacons; during the service they sang Genevan Psalm 42 in two part harmony. The cultural dynamics are very different now than they were in the 16th century.

Introduction to the Genevan Psalter

By contrast, English has relatively fewer of these, which in large measure explains why English-language psalters have tended towards the uniformity of common, long and short metres. CRC Publications, ; also no.

The Genevan Psalteralso known as The Huguenot Psalter [1]is a collection of metrical psalms in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century. Moreover, if one follows the suggested tempos, the traditionalist is likely to find them entirely too rapid.


Inthe entire extant psalter could be sung every seventeen weeks. Expanded Edition New York: You may find it helpful to search within the site to see how similar or related subjects are covered. Whatever the truth of the matter, English-speaking Reformed Christians became accustomed to singing Psalms psaltsr sometimes monotonously regular metres — something their descendants eventually abandoned in favour of noncanonical metrical hymns of better literary quality.

A Reformed Approach to Psalmody: The Legacy of the Genevan Psalter

The Genevan Psalter was a project that began in the late s as part of an effort to make available to the newly reformed congregations a way to sing the biblical Psalms, initially in Strasbourg and later in Geneva. In one communion after another, hymns were added, and psalms were often sidelined.

But there is little evidence to support that, and much better evidence to support the relationship to Gregorian chant. Because the tunes were fresh compositions and thus not familiar to the people, Calvin urged that they be taught first to the children, who would then teach them to the rest of the congregation.

How did they contribute to the identity of the people in the tradition called Reformed?

Genevan Psalter – Wikipedia

Liedboek voor de kerken Leeuwvarden: Francis, the bishop of Rome and the leader of the Roman Catholic Church —. It bore the title “Aulcuns Pseaulmes et cantiques mys en chant” Some rhymed Psalms and Hymns to be sung [2] and contained 18 psalms and genevaj set to music, including 12 versifications of Marot 1, 2, 3, 15, 32, 51,, six psalms of Calvin 25, 36, 46, 91, the ten commandments, the Song of Simeon and the Apostles’ Creed.


I wonder if Calvin were alive today what genevsn of a psalter he would propose.

How and where does the Reformed tradition of psalmody come to expression today, in the 21st century, both in North America and beyond? The Liturgy of the Hours survived the Reformation in some places, but not everywhere. The melodies for the new psalms were composed by Guillaume Franc. Views Read Edit View history. Those that had been in the previous editions and were sung isometrically were returned to their original syncopated rhythms. Frontispiece to Genevan Psalter, edition.

Shall I look on your visage never? I Belong is a versified paraphrase of Question and Answer 1 of the Heidelberg Catechismeasily the jewel of the sixteenth-century Reformation confessions.

Learn More in these related Britannica articles: Unless otherwise indicated, all text examples are from the Psalter Hymnal, Emily R.

If the latest of the psalms were composed during the Persian and perhaps even into the Hasmonean eras, then the Psalter was compiled over the better part of a millennium of Paslter history before being finalized sometime during the second temple period. In other projects Wikimedia Commons.